SPIDERMAN DEL 1 AL 700 (#54)

¡ LOS TENTÁCULOS Y LA TRAMPA !

Back in Manhattan, Spidey has scoured the whole city unsuccessfully searching for Octopus. “Wherever he is, I guess he’s safe for now,” he says. (Heh. Yes, but is May safe?) He returns to his apartment (where "Harry must be out on a date!") and decides to call Aunt May. The phone rings, just as Ock is paying May the "first month's rent in advance." ("That should keep her out of my hair until my plans are complete," he thinks.) As May talks to Peter, Otto climbs the stairs, finds his room, puts his suitcase on his bed and opens it. His metal arms come writhing out, holding his communicating equipment. (Not sure how the arms and their harness and the communicating equipment all fit in that little suitcase, though.) "Now that Spider-Man is dead (Did I mention that Ock thinks his bomb killed Spidey last issue?) and I’ve found a far better hideout than I expected, I can again make plans to steal the priceless nullifier," he states, "Luckily all of my men were not captured when my career as the Master Planner was cut short by the accursed Spider-Man!" He uses his equipment to contact his flunky (who has apparently been waiting at his station for a call for the last twenty issues) and declares, "Your wait is over! Soon we shall strike again!" Meanwhile, Ock's equipment is wreaking havoc on Aunt May's TV reception. "I wonder if Dr. Octopus could fix it for me?" she says, "He seems so very capable!"

The following morning, in the Manhattan "pad," Harry Osborn (tying his bow tie) calls into Pete's room to see if he wants any breakfast. Pete has left his door open and has been busy mixing up web-fluid with his Spidey suit hanging in plain sight on his closet door. Calling out, "Just a second, Harry! Be right with you!" PP closes his door and loads the web fluid into his extra cartridges on his belt. When he opens up again, Harry has turned sullen. "I can't wait for you to lock everything up tight as a drum before you'll talk to me," he says, "If you're afraid I'll steal something, just move out!" And he goes off to visit his father. (Actually, Harry has a good point here. How would you like it if your roommate locked his bedroom door and wouldn’t let you even look at his stuff?)

 Following a strange sketchy panel that doesn’t look like Johnny drew it, Peter tells May "I've some studying to do" and leaves the house. He hangs out, watching from across the street until dark. (In a nice moody panel showing Peter from behind as he lurks under a tree; his head and shoulders covered in shadow.) He changes to Spider-Man but still hesitates to attack "because of Aunt May." Still, when a delivery is made to the house for Ock ("Must be equipment for some new crime!"), Pete knows he must act. (This is another nice panel with Spidey’s head in profile in the foreground and the entrance to the house in the distance, with light spilling out of the house, throwing the deliveryman and Ock into shadow.)

TOMADO DE http://www.spiderfan.org

TÍTULO: Amazing Spider-Man Vol.1 # 54

FECHA: 10 de Noviembre de 1967

ESCRITOR: Stan Lee

DIBUJO: John romta Sr.

TINTAS: Mickey Demeo

COLOR: John Romita Sr.

PORTADA: John Romita Sr.

EDITORIAL: Marvel Comics

PÁGINAS: 21

FORMATO: .cbr

TAMAÑO: 6.0 mb

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SPIDERMAN DEL 1 AL 700 (#53)

LLEGA: DR. OCTOPUS

Spidey perches on a clock tower, trying to cool down. He gets so preoccupied that he forgets where he is and the "Bong!" of the clock's bell surprises him so much, he topples right off. It is a simple matter to shoot a web to stop his fall but the striking of the clock also reminds him that he is "due in class soon.” "Lucky I'm carrying my civvies in my web-sling,” he says, and he swiftly makes his way to Empire State University.

As he web-slings on campus, Spidey spots Flash Thompson and Gwen Stacy. (Even though they are very tiny in the panel, you can tell who they are because Flash is in his blue Army uniform and is pointing up at Spidey while Gwen is in the green dress and chartreuse hat she wears in the rest of the scene. I think you can credit the anonymous colorist for their recognizability.) They spot Spidey, too. Flash tells Gwen that he is the webhead's biggest fan. She asks him how he knows Spidey isn't someone he'd dislike under that mask. "Not a chance, doll-face," he says. Just then, Harry Osborn walks up. He asks Flash and Gwen if they've seen Peter. "I'm sick of being his social secretary. All I do is take messages for him because he's never around!" Flash says, "He'll never change! Once an itch, always an itch! Right, Gwen?" and Gwendy cryptically replies, "Don't ask me, gents. I'd rather itch than switch!" (Everybody recognize the inspiration of Gwen's statement to be the Tareyton cigarette slogan, "Us Tareyton smokers would rather fight than switch?" Everyone know there used to be cigarette advertising on TV?)

Meanwhile, Spidey has lifted a section of the gymnasium roof so he can sneak in and change into his civvies. (What the heck is that roof made out of, anyway? And why is it so easy to lift out a panel to sneak in?) He is just putting his shirt on over his costume (while standing on a walkway high off the gym floor) when he hears footsteps. Quickly, he manages to change clothes and leaps to a climbing rope that is attached to the ceiling. (I know, I know, this is all pretty convenient. Just roll with it.) He doesn't realize that his Spidey mask is sticking out of the back of his pants. As he scoots down, Professor Warren pokes his head into the gym. Now down on the floor, Peter tells the Prof that he was "just taking a little workout." Warren is impressed. "I never realized you were so agile, son!" Then, noticing Pete's exposed Spidey mask, he says, "Better tuck in your undershirt, though." Peter nervously complies, thinking, "Lucky he's so near-sighted. He didn't see the web pattern." (Aren’t those glasses he’s wearing supposed to compensate for his near-sightedness?) Before leaving, the Professor tells Pete he has two "extra tickets to tonight's science exposition." He invites Peter and a friend to join him.

Out in the hallways, Pete meets up with Gwen. ("Say!" she says, "Aren't you the one who picked a peck of pickled peppers?" I think it is lines like this that made some people very happy to see Gwen go.)

TOMADO DE http://www.spiderfan.org

TÍTULO: Amazing Spider-Man Vol.1 # 53

FECHA: 10 de Octubre de 1967

ESCRITOR: Stan Lee

DIBUJO: John romta Sr.

TINTAS: Mickey Demeo

COLOR: John Romita Sr.

PORTADA: John Romita Sr.

EDITORIAL: Marvel Comics

PÁGINAS: 21

FORMATO: .cbr

TAMAÑO: 6.3 mb


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SPIDERMAN DEL 1 AL 700 (#52)

¡ LA MUERTE DE UN HÉROE !

The two thugs carry Spidey into a brick room with a single door, through which the third thug pushes a resisting JJJ. There are big spigots on the walls and what looks like a metallic medicine ball in the middle. Oh oh. This is looking familiar. Spidey is still knocked out as the thugs secure him to the ball. The third thug pushes Jonah down into position as JJJ yells at Spidey, “you wall-crawling weasel, wake up!!” The water already starts pouring in before the thugs get out of the room. In fact, the last one racing out has just got to have gotten his feet wet. Outside of the room, the Kingpin’s assistant Flint, turning the wheel that controls the water, tells his boss that “It shouldn’t take more’n five minutes!” The Kingpin, his back to Flint, holding his cigarette holder imperiously in his left hand, couldn’t be bothered. “Spare me the boring details, Flint!” he says, “Just let me know when the charade is completely ended!” Now, we are talking about a seriously secure and cold-blooded criminal boss here. He’s about to kill Spider-Man and he refers to it as a charade. Back in the death room, Spider-Man starts to show signs of awakening but the water is already reaching them. We have come back to the present time of the cover and, what do you know? It’s only on page 3. The cover looks so monumental that it seems like it must be the climax of this story but it’s only the start. Whether intended or not, this works beautifully. We’re faced with a formidable death trap on the cover, we’re allowed to backtrack out of it on the splash page and we’re right back in it by page 3! What can possibly happen after that? Well, let’s try to get Spidey and JJJ rescued first.

So, what happens? Can Spidey escape? Stan is too accomplished a scripter to let you off that easy. First we must switch scenes to the Daily Bugle where Ned Leeds and Betty Brant have discovered the broken door at Jonah’s office. (In case you’re wondering, we saw the thugs break into Jonah’s office in ASM #51 but we didn’t see the door break. Here, the door is off its top hinge and the window glass is broken. There, it doesn’t look like the door even has a window.) Ned picks up the phone and announces “I’ll call Robertson! He’s City Editor!” “Don’t bother, Leeds!” says the African-American man we saw last issue, “I’m right here.” And in that clever way, Stan informs us of Robbie’s last name and job so that it appears that he’s been part of the supporting cast all along. Robbie tells Ned that he’ll hold down the fort “while you see what you can uncover.” You may recall that Robbie wanted to replace Foswell as crime reporter with Ned Leeds last issue. Now, Betty tries to prevent Ned from venturing out. “You’re not a crime reporter!” she says, “That was Foswell’s job!” “I’ve got a job to do and I’ve got to do it as best I can!” Ned says. So, Ned has just been given Foswell’s job. Perhaps that is telling us something.

TOMADO DE http://www.spiderfan.org

TÍTULO: Amazing Spider-Man Vol.1 # 52

FECHA: 10 de Septiembre de 1967

ESCRITOR: Stan Lee

DIBUJO: John Romita Sr.

TINTAS: Mickey Demeo

COLOR: John Romita Sr.

PORTADA: John Romita Sr.

EDITORIAL: Marvel Comics

PÁGINAS: 21

FORMATO: .cbr

TAMAÑO: 6.4 mb


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Rob zombie - Past, Present & Future

PAST, PRESENT & FUTURE

Past, Present & Future is the first-ever Rob Zombie retrospective. The collection is steeped both visually and aurally in the scary monsters, sexy women, and schlock horror images that have always adorned Zombie's death's-head calling card; from a strictly musical standpoint, his turgid industrial sludge and beyond-the-grave vocals benefit greatly from the set's liberal editing. That's because Zombie has always had one fabulously filthy gear, and his pedal is always scraping the metal; Past's 19 tracks simply streamline his career's death race into one satisfying 2000-mile straightaway. "Thunder Kiss '65," "Dragula," and the incredible, impossible, wonderfully stupid "More Human Than Human" attack the eardrums with toxic vengeance; collaborations with Alice Cooper and Howard Stern approach the proto-industrial grind of KMFDM; and kooky covers of "I'm Your Boogieman" and "Brickhouse" run the originals' disco beat through a freaky fun house filled with lurid porn samples and booty-shaking bottom end. (The latter track even pulls poor Lionel Richie into a duet with Rob and raunchy Trick Daddy protégée Trina). "Pussy Liquor" is just dumb, but again, you have to be amazed at Zombie's ability to get away -- and even do well with -- such stupidity. After all, behind the dreads, monster makeup, and platform boots, Zombie is a likeable, talented creative with a flair for reinvention. Like so much of his source material, his work isn't meant for deep contemplation -- only chomping-at-the-bit consumption. That's why he can make it sound like he invented the word "Yeah!" In addition to its host of past guilty pleasures, Past, Present & Future includes two previously unreleased songs and a DVD with ten Zombie-directed music videos, three of them never before seen. Never known for his humbleness, Zombie also designed the accompanying full-color, 36-page booklet, which includes a bizarre photo timeline in which the Astrocreep seems to age 50 years in less than 20. 

Tomado de wikipedia

TÍTULO: Past, present & future

ARTISTA: Rob Zombie

GÉNERO: Heavy metal, Alternative metal, Industrial metal

INTEGRANTES: Rob Zombie (Vocals), Riggs (Guitar), Blasko (Bass)
Tempesta (Drums)

PRODUCTOR: Scott Humprey

INVITADOS: Iggy Pop, Howard Stern, Alice Cooper, Trina

DISQUERA: Geffen

AÑO: 23 de septiembre de 2003

DURACIÓN: 73:20 min

FORMATO: .mp3

TAMAÑO: 67.2 mb


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