jueves, 4 de diciembre de 2014

SPIDERMAN DEL 1 AL 700 (#51)



¡ EN LAS GARRAS DE KINGPIN !

Kingpin sends the hood named “Blinker” to pick up Jonah. He then orders the former boss named “Big Turk” to “put the squeeze” on some service stations. When Big Turk implies that this is hardly “the big time,” the Kingpin tells him “this is just a test” to see how he operates. (I’m not sure why Stan is bothering with this. Couldn’t he just have given Big Turk something “big time” to do and cut out this whole conversation? Maybe Stan couldn’t think of anything suitably “big” for Big Turk to do so he covered his lapse by giving Big Turk something small time to do, acknowledged it as small time, and gave a reason why the Kingpin would give him something small time to do. Sounds silly, I know, but, trust me, writers go through such lapses and make such decisions to cover themselves all the time... Or maybe Stan is showing how perceptive the Kingpin is, seeing as Big Turk can’t even handle the small job, which foreshadows Big Turk’s ultimate fall. But I’m getting way ahead of myself.) Anyway, Big Turk heads out with two of his boys to tackle the service stations. One of his gang says, “Anyway, we don’t haveta worry about Spider-Man no more!” (“Spider-Man no more!” That was last issue’s title! Very clever, Stan!)
The thug is wrong, of course. Spidey is back in action. And, wouldn’t you know it? He happens to be web-slinging by when Big Turk and his guys hit a service station. Turk has their take in a briefcase that is yanked out of his hand by webbing. Spidey perches on a wall above the hoods (a nice perspective drawing by Johnny) and starts webbing up their guns. In the next panel, however, Spidey is now standing on top of a wall, low enough for the bad guys to consider rushing him. Spidey strikes out first, punching one guy in the chin with his right hand while shoving another guy in the face with the flat of his left hand.

After bopping Big Turk, Spidey nails three guys using both arms and his right foot. “I sure hope you chaps didn’t eat heavy meals lately!” he says. Big Turk bails out with a guy named Shorty. “There’s always more where they came from,” Big Turk says of the guys they leave behind, “Besides, we gotta tell the Kingpin what we’re up against!” As Big Turk and Shorty peel out, the three hoods that Spidey walloped have turned the tables on him. One grabs his right hand, another tugs on his right arm, the third holds his left arm while trying to get him in a headlock. Spidey breaks free in the next panel, socking two of them with one big swing. There are three goons already lying on the ground, making a total of five in the panel. Add Big Turk and Shorty to the mix and it looks like Spidey was fighting seven guys altogether but there are never more than five shown in any panel. (Unless the whole seven are shown on page 5 panel 2 when Big Turk and Shorty take it on the lam… but the remaining bunch tackling Spidey look like a big blob… at least in my copy.) Spidey grabs two of his defeated foes and demands to know, “Who and what is the Kingpin?” but the police arrive so he decides to cut out. (Plus, it looks like the guys he’s interrogating are unconscious.) He climbs a wall to where he placed his automatic camera but, retrieving it, he recalls that he “told Jameson where to get off” in Amazing Spider-Man #50. “Now I’ve gotta swallow my pride and convince him I was…ulp…only kidding!” he says.

Back at his headquarters, the Kingpin slides back some drapes, revealing a one-way mirror in which he can observe Frederick Foswell whom he has placed in another room. Flint asks, “Why don’tcha just polish him off now?” but the Kingpin has plans for Foswell and instructs Flint to bring him in. Still high on himself, Fred tells the Kingpin “I thought you’d realize you needed me” because “nobody’s ever been able to take over all the mobs before except me.” Starting to feel really smug, Foswell reaches into his jacket pocket. The Kingpin warns him that “the obliterator beam within my walking stick can atomize you before you can make another move.” Foswell assures him, “I’m not cheap hood reaching for a gun!” Instead he is reaching for a cigarette. Once he has it out, he orders Flint to give him a light. Flint balks until the Kingpin orders him to comply. “We’ll get along just fine, Foswell!” says the Kingpin, “I like your style!”
Just then Big Turk and Shorty break in, still riled up over encountering Spidey. “What were ya tryin’ to pull, ya fink!” says Big Turk, then compounds things by calling the Kingpin, “Fatso.” Shorty gets in on the action, saying, “Let’s get ‘im, Big Turk! Nobody can make fools of us the way that lyin’ fink tried to do!” Flint starts to go for his gun and Foswell recedes into the shadows. The Kingpin tells Flint to hold off and stands, planning to handle things himself. Big Turk takes advantage of the situation and clocks Flint, promising to “bounce [Kingpin] all over the place like a hunka blubber.” Shorty tells Big Turk to watch out for Kingpin’s cane but the mob boss promises to humble Big Turk “with my bare hands.”

TOMADO DE http://www.spiderfan.org


TÍTULO: Amazing Spider-Man Vol.1 # 51
FECHA: 10 de Agosto de 1967
ESCRITOR: Stan Lee
DIBUJO: John Romita Sr.
TINTAS: Mickey Demeo
COLOR: John Romita Sr.
PORTADA: John Romita Sr.
EDITORIAL: Marvel Comics
PÁGINAS: 21
FORMATO: .cbr
TAMAÑO: 6.4 mb


SPIDERMAN DEL 1 AL 700 (#50)


¡EL FIN DE SPIDERMAN!

As Spidey finds a spot to change back into his Peter duds, he tries to tell himself that he doesn't care what people think but he does. "Everyone flips over the FF," he says, "They think Daredevil's the coolest. Captain America turns 'em on but just mention Spider-Man and freezeville!" (You don't get dialogue like that anyplace other than the 60s, folks!)

As soon as Pete arrives home, Harry meets him at the door to tell him that Anna Watson called to say Aunt May has fallen ill. Harry offers to drive Peter but he figures his motorcycle is faster. As he drives, Peter fears the worst and he's already beating himself over the head for it. "Aunt May must have had another attack!" he says, "And I was too busy playing super-hero to be there when I should have!" (But since he doesn't live with May anymore, he probably wouldn't have been there even if he wasn't "playing super-hero.") Peter rushes into Anna's house, asking what happened. Anna tells him May is now resting, that Doc Bromwell was passing by and gave her a sedative. But before he did, the cloying old bat "kept calling for [Peter], wondering where you were! She was so worried!" (But worried about what? Does May just sit around stewing for no reason?) This gets to Peter, of course, since May is a genius at pushing his buttons even when she is tucked under the covers up to her chin and sound asleep. "If I had been at home like any other normal guy they could have reached me fast!" he thinks. (But so what? What was he going to do?) "But no," he continues, "I was out flexing my muscles trying to help the very people who fear me!"

So, Peter leaves Anna's house looking so down in the mouth, he has to put his hand on the back of his neck to keep his head on. He rides away on his motorcycle and it's a wonder he doesn't crash because he's looking down at the ground rather than watching the road. And he gets into the guilts like you wouldn't believe. "Ever since I moved in with Harry, I've hardly even thought about Aunt May!" he says, "After all, why should I care about her? All she ever did is spend a lifetime looking after me, treating me like her own son!" (Actually, I think if you bothered to look back at the issues since Peter moved in with Harry, which is only the last three before this, you'd find that Peter has thought about May plenty but how do you talk to a guy when he's in a mood like this?) He gets home and realizes that he's too bummed out to study for the "rough exam" he has tomorrow. And, sure enough, next day in Professor Warren's science class, he hardly writes a thing. "If I passed, it'll be a miracle." Warren calls him over and talks to him about his declining grades. He tells him he'd better shape up. Peter promises to start "buckling down." In the ESU hallway, Gwen invites Pete to a "little get-together" at her home tonight but Pete is too worked up over Aunt May to accept. As he walks to his bike, he realizes that Spidey takes so much of his time, he isn't able to do things like go to Gwen's party. "I haven't even had time for dating scatter-brained Mary Jane these days!" he thinks, "Or is she really so scatter-brained? I've never been able to take the time to find out for sure!"

TOMADO DE http://www.spiderfan.org


TÍTULO: Amazing Spider-Man Vol.1 # 50
FECHA: 10 de Julio de 1967
ESCRITOR: Stan Lee
DIBUJO: John Romita Sr.
TINTAS: Mickey Demeo
COLOR: John Romita Sr.
PORTADA: John Romita Sr.
EDITORIAL: Marvel Comics
PÁGINAS: 21
FORMATO: .cbr
TAMAÑO: 7.7 mb


DESCARGAR

SPIDERMAN DEL 1 AL 700 (#49)



DESDA LA MÁS ONDA HONDA DERROTA


Elsewhere, Kraven the Hunter is watching the news on a bamboo-styled TV that looks like something the Professor put together on Gilligan's Island. He is filled with jealousy over the newfound notoriety of the new Vulture, who is "now considered the city's deadliest menace." Seething that "I'm the one who first beat Spider-Man." and "No wing-flapping, flying fool can steal my glory from me!", (smashing a big vase with a swipe from his hand while standing on a tiger-skin rug with a big elephant head mounted on his wall). Kraven then takes his frustrations out on his tiger Rajah. He releases the big cat, grapples with it, wraps his hands around its neck, throws it around, and allows it to slink back to its cage while shaking his fist at it. "Next I shall crush the Vulture", he proclaims, his fists clenched before him. He ventures out, scaling a building by hand. "Wherever the Vulture may fly, Kraven will bring him down," he says, "So, let the hunt begin."

So, now, is it the next day, or what? It must be, since Harry came home in the middle of the night and now May and Anna are showing up for a visit. I don't know why they're doing this since he wasn't even home for their last visit...whenever THAT was...but that's what they're doing and they are sorry to see him still in bed, "with his Spidey suit on, no less!" (Although they don't know that part.)

Okay, hold it. If it is the next day, why didn't Pete change out of his Spidey suit sometime during the night? Did he just pass out after talking to Harry? And if it's not the next day, why are May and Anna visiting in the middle of the night? May is surprised that Pete is still in bed and Pete claims he's about to talk a nap, so it can't be the middle of the night, right? Except when May worries over him, he tells her all he needs is a good night's sleep which implies that he didn't just have one so it seems that May and Anna are visiting in the middle of the night. Just what exactly is going on? What time is it? I've got no answers for you. I'm moving on.

Pete is very nervous that someone will pull off his bedcovers and reveal his duds, but all Aunt May does when she approaches is feel his forehead. She discovers that Pete still has a fever. Over her nephew's protestations, May calls Dr. Bromwell to request a house call. ("You don't want to worry your Auntie," she says. "Auntie?" She calls herself "Auntie?") On the phone to Bromwell, May discovers he is in surgery. She asks that he come over as soon as possible. (The guy is a surgeon and he does house calls! Where can I find a doctor like that?) As all the others finally leave his room, Pete leaps up to remove his Spidey suit. ("I'm sure lucky the Doc is busy," he says, "Now's my chance to peel off my Spidey suit" as if Bromwell will teleport over instantaneously.) He discovers that he is already feeling MUCH better but, even so, he must stay in bed and wait for Dr. Bromwell in order to satisfy Aunt May. He climbs back under the covers, props his head on his fist, and considers it lucky that "the Vulture isn't acting up along about now!"

TOMADO DE  http://www.spiderfan.org


TÍTULO: Amazing Spider-Man Vol.1 # 49
FECHA: 10 de Junio de 1967
ESCRITOR: Stan Lee
DIBUJO: John romta Sr.
TINTAS: Mickey Demeo
COLOR: John Romita Sr.
PORTADA: John Romita Sr.
EDITORIAL: Marvel Comics
PÁGINAS: 21
FORMATO: .cbr
TAMAÑO: 5.6 mb


The Shining



EL RESPLANDOR


El resplandor (The Shining) es una película estadounidense de 1980 del subgénero de terror psicológico dirigida por Stanley Kubrick, con Jack Nicholson, Shelley Duvall y Danny Lloyd como actores principales. Está basada en la novela homónima del escritor Stephen King.


La película relata la historia de un hombre que, al poco de llegar a un solitario hotel de alta montaña al que se había trasladado con su familia para ocuparse de la vigilancia y el mantenimiento durante el invierno, empieza a sufrir inquietantes trastornos de personalidad. Paulatinamente, debido a la incomunicación, al insomnio, a sus propios fantasmas interiores y, tal vez, a la influencia maléfica del lugar, se verá inmerso en una espiral de violencia contra su mujer y su hijo, que a su vez parecen víctimas de espantosos fenómenos sobrenaturales.


Si bien su estreno fue acogido con frialdad por la crítica, El resplandor ha ido ganando adeptos con el tiempo hasta convertirse en una película de culto. Como en otras películas del cineasta estadounidense, en paralelo con la línea dramática principal se desarrollan otras tramas secundarias que a su vez esconden innumerables representaciones simbólicas, indicios subliminales, referencias sociohistóricas e indagaciones de índole psicológica en torno a la naturaleza humana y el mal.


Jack Torrance se traslada con su mujer y su hijo de siete años al impresionante hotel Overlook, en Colorado, para encargarse del mantenimiento de las instalaciones durante la temporada invernal, época en la que permanece cerrado y aislado por la nieve. Su objetivo es encontrar paz y sosiego para escribir una novela. Sin embargo, poco después de su llegada al hotel, al mismo tiempo que Jack empieza a padecer inquietantes trastornos de personalidad, se suceden extraños y espeluznantes fenómenos paranormales.



TRAILER




TÍTULO: The shining
DIRECTOR: Stanley Kubrick
REPARTO: Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson
ESCRITOR: Stephen King, Stanley Kubrick, Diane Johnson
FOTOGRAFÍA: John Alcott
MÚSICA: Wendy Carlos, Rachel Elkind
GÉNERO: Terror, Suspenso
AÑO: 1980
DISTRIBUIDORA: WARNER Bros.
IDIOMA: Ingles subtitulado
DURACIÓN: 115 min
FORMATO: .flv
TAMAÑO: 860 mb
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